{"id":37,"date":"2011-11-05T17:35:48","date_gmt":"2011-11-05T17:35:48","guid":{"rendered":"http:\/\/aparteoutsider.org\/?page_id=37"},"modified":"2012-04-23T12:53:51","modified_gmt":"2012-04-23T12:53:51","slug":"imagens","status":"publish","type":"page","link":"https:\/\/aparteoutsider.org\/?page_id=37","title":{"rendered":"Galeria"},"content":{"rendered":"<p style=\"text-align: justify; font-size: 18px; color: #99cc00; font-weight: normal; line-height: 120%; text-shadow: 1px 1px 2px #000000;\">Uma pequena sele\u00e7\u00e3o de desenhos antigos da Cole\u00e7\u00e3o de Arte de Doentes do Museu Miguel Bombarda, em Lisboa<\/p>\n<p style=\"text-align: justify; font-size: 18px; color: #99cc00; font-weight: normal; line-height: 120%; text-shadow: 1px 1px 2px #000000;\"><em>A small selection of old drawings from the Patient Art Collection of Miguel Bombarda Museum, in Lisbon, one of the oldest and best in Europe, including Outsider Art<\/em><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">Ao tentarem denegrir a Colec\u00e7\u00e3o de Arte de Doentes do Hospital Miguel Bombarda argumentou-se que muitos desenhos haviam sido destru\u00eddos ou tinham desaparecido, e os \u00fanicos com valor seriam os de autoria de Jaime Fernandes. Argumento desde logo falacioso ou de manifesta ignor\u00e2ncia hist\u00f3rica, pois sempre foi pr\u00e1tica corrente na grande maioria dos hospitais psiqui\u00e1tricos do mundo, destruir-se os desenhos ou pinturas de doentes.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">E em Portugal o Hospital Miguel Bombarda foi a institui\u00e7\u00e3o onde essa destrui\u00e7\u00e3o menos se verificou, em todas as \u00e9pocas, sendo por isso a sua cole\u00e7\u00e3o uma das mais antigas e valiosas da Europa.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">Atinge cerca de 6000 desenhos, pinturas, azulejos, pequenas esculturas ou escritos de doentes (devidamente inventariados e fotografados na sua quase totalidade aquando da demiss\u00e3o do diretor do Museu em Mar\u00e7o de 2011), parte deles selecionados, desde 1902, incluindo v\u00e1rias sub-cole\u00e7\u00f5es, como a recolhida ao tempo do Prof. Sobral Cid (anos 1920 e 1930), as provenientes de diferentes ateli\u00eas, ou de projectos espec\u00edficos, na orienta\u00e7\u00e3o ou no tempo, como de arte-terapia.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">A prop\u00f3sito, refira-se que os Arquivos Cl\u00ednico, M\u00e9dico-Legal e Administrativo, com centenas de milhares de documentos, um tesouro para o estudo da assist\u00eancia ou da sociedade, s\u00e3o \u00fanicos em Portugal e raros em termos internacionais, por integrarem, sem hiatos, sistematicamente, todos as d\u00e9cadas desde a funda\u00e7\u00e3o em 1848, sendo de notar que a maioria das institui\u00e7\u00f5es guardavam a documenta\u00e7\u00e3o em s\u00f3t\u00e3os sujeitos a intemp\u00e9ries ou a destru\u00edam.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">A Cole\u00e7\u00e3o do Museu integra ainda 6000 fotografias desde o s\u00e9culo XIX, material cl\u00ednico, mobili\u00e1rio, ou pequenas sub-cole\u00e7\u00f5es, de tatuagem ou de croquis de doentes.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">Apresentamos a seguir uma pequena sele\u00e7\u00e3o da parte mais antiga da Cole\u00e7\u00e3o de Arte de Doentes, com obras \u00fanicas internacionalmente, compar\u00e1veis com as da famosa Cole\u00e7\u00e3o Prinzhorn, e not\u00e1vel pela sua pureza criativa e art\u00edstica.<\/span><\/p>\n<p><\/p>\n<p style=\"text-align: justify;\"><a onclick=\"javascript:pageTracker._trackPageview('\/downloads\/wp-content\/uploads\/2012\/04\/1-new.jpg');\"  href=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/1-new.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-344\" title=\"1-new\" src=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/1-new-300x217.jpg\" alt=\"\" width=\"300\" height=\"217\" srcset=\"https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/1-new-300x217.jpg 300w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/1-new-1024x742.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">1 \u2013 Agostinho Alcobia, (parte de corpo ?), 1912-1913, l\u00e1pis azul s\/ papel vegetal, 37,5 x 52 cm, (inv. n\u00ba 312)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">[ Tra\u00e7o firme a azul, parte n\u00e3o determinada de corpo humano, desenho de pendor modernista org\u00e2nico ]<\/span><\/p>\n<p><\/p>\n<p style=\"text-align: justify;\"><a onclick=\"javascript:pageTracker._trackPageview('\/downloads\/wp-content\/uploads\/2012\/04\/2.jpg');\"  href=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/2.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-345\" title=\"2\" src=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/2-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" srcset=\"https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/2-300x214.jpg 300w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/2-1024x732.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">2- Jos\u00e9 Gomes, 1914, fotografia, 30 x 21 cm, (Arq. Fot. n\u00ba CCC 142)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">[ Performance pr\u00e9-surrealista sem paralelo mundial, pela sua originalidade e anteced\u00eancia hist\u00f3rica. Fotografia de profissional identificado, certamente encomendada, tirada na alameda das oliveiras do Hospital Miguel Bombarda, com dedicat\u00f3ria de Jos\u00e9 Gomes ao Diretor do Hospital no verso, com o autor de vestes cortadas, 4 pessoas, uma com guitarra portuguesa, outra com pau, 4 c\u00e3es, uma cabra, bandeira e dizeres ]<\/span><\/p>\n<p><\/p>\n<p style=\"text-align: justify;\"><a onclick=\"javascript:pageTracker._trackPageview('\/downloads\/wp-content\/uploads\/2012\/04\/3.jpg');\"  href=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/3.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-346\" title=\"3\" src=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/3-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" srcset=\"https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/3-214x300.jpg 214w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/3-730x1024.jpg 730w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/3.jpg 1479w\" sizes=\"(max-width: 214px) 100vw, 214px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">3- Jos\u00e9 Gomes, 1913, fotografia, 30 x 21 cm, (Arq. Fot. CCC 141)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">[ Instala\u00e7\u00e3o com participa\u00e7\u00e3o humana, sem paralelo mundial pela sua anteced\u00eancia hist\u00f3rica. Fotografia profissional, certamente encomendada pelo autor Jos\u00e9 Gomes, com este rodeado por latas e por finos ramos secos, com chap\u00e9u de tampa de lata e dizeres em papel repetindo a palavra \u201crazon\u201d ]<\/span><\/p>\n<p><\/p>\n<p style=\"text-align: justify;\"><a onclick=\"javascript:pageTracker._trackPageview('\/downloads\/wp-content\/uploads\/2012\/04\/4-2-new.jpg');\"  href=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/4-2-new.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-347\" title=\"4 (2)-new\" src=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/4-2-new-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" srcset=\"https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/4-2-new-195x300.jpg 195w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/4-2-new.jpg 510w\" sizes=\"(max-width: 195px) 100vw, 195px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">4 \u2013 \u00c2ngelo de Lima, \u201cRetrato do doente Pragana\u201d, 1919, tinta negra s\/ papel, 17,8 x 13,5 cm, (inv. n\u00ba 1809)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">[Rar\u00edssimo desenho de \u00c2ngelo de Lima (1872-1921), grande poeta (e tamb\u00e9m pintor) publicado por Fernando Pessoa em 1915 na revista Orpheu. \u00c2ngelo de Lima esteve internado no Hospital Miguel Bombarda desde 1901 at\u00e9 ao seu falecimento em 1921 ]<\/span><\/p>\n<p><\/p>\n<p style=\"text-align: justify;\"><a onclick=\"javascript:pageTracker._trackPageview('\/downloads\/wp-content\/uploads\/2012\/04\/5-new.jpg');\"  href=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/5-new.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-348\" title=\"5-new\" src=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/5-new-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/5-new-300x169.jpg 300w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/5-new.jpg 497w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">5 \u2013 Jos\u00e9 Pic\u00e3o, (porco ?), 29\/12\/1919, tinta vermelha s\/ papel com linhas, 11 x 32,2 cm, (inv. n\u00ba 196)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">[Tra\u00e7o r\u00e1pido e espont\u00e2neo ]<\/span><\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">\u00a0<a onclick=\"javascript:pageTracker._trackPageview('\/downloads\/wp-content\/uploads\/2012\/04\/6-new.jpg');\"  href=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/6-new.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-349\" title=\"6-new\" src=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/6-new-300x195.jpg\" alt=\"\" width=\"300\" height=\"195\" srcset=\"https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/6-new-300x195.jpg 300w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/6-new-1024x668.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">6 \u2013 Jos\u00e9 Pic\u00e3o, (cavalo), 1919, tinta preta s\/ papel, 14,2 x 10,5 cm, (inv. n\u00ba 197)<\/span><\/p>\n<p><\/p>\n<p style=\"text-align: justify;\"><a onclick=\"javascript:pageTracker._trackPageview('\/downloads\/wp-content\/uploads\/2012\/04\/7-2.jpg');\"  href=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/7-2.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-350\" title=\"7 (2)\" src=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/7-2-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/7-2-300x200.jpg 300w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/7-2.jpg 580w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">7 \u2013 Adelino Pessoa, (cena rural), 1929-1931), l\u00e1pis de cor s\/ papel, 17,2 x 25,7 cm, (inv. n\u00ba 201)<\/span><\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">\u00a0<a onclick=\"javascript:pageTracker._trackPageview('\/downloads\/wp-content\/uploads\/2012\/04\/8-new.jpg');\"  href=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/8-new.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-351\" title=\"8-new\" src=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/8-new-300x251.jpg\" alt=\"\" width=\"300\" height=\"251\" srcset=\"https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/8-new-300x251.jpg 300w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/8-new-1024x859.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">8 \u2013 Adelino Pessoa, (homem e mulher), 21\/8\/1929, l\u00e1pis s\/ cartolina de embalagem, 10,8 x 12,7 cm, (inv. n\u00ba 203 verso)<\/span><\/p>\n<p><\/p>\n<p style=\"text-align: justify;\"><a onclick=\"javascript:pageTracker._trackPageview('\/downloads\/wp-content\/uploads\/2012\/04\/9.jpg');\"  href=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/9.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-352\" title=\"9\" src=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/9-174x300.jpg\" alt=\"\" width=\"174\" height=\"300\" srcset=\"https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/9-174x300.jpg 174w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/9-595x1024.jpg 595w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/9.jpg 1585w\" sizes=\"(max-width: 174px) 100vw, 174px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">9 \u2013 Joaquim dos Santos, (figura humana),1933, l\u00e1pis s\/ papel, 22,5 x 17,4 cm, (inv. n\u00ba 216 frente)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">[ Forma de figura humana frequentemente desenhada por doentes com perturba\u00e7\u00e3o mental e que Jean Dubuffet tornaria quase um \u00edcone, ao criar mais de uma centena de pinturas com esse motivo. No entanto, este desenho de Joaquim dos Santos apresenta uma composi\u00e7\u00e3o sui generis, ao adicionar duas pequenas figuras de cada lado da cabe\u00e7a e outras duas, ainda menores, em cada m\u00e3o ]<\/span><\/p>\n<p><\/p>\n<p style=\"text-align: justify;\"><a onclick=\"javascript:pageTracker._trackPageview('\/downloads\/wp-content\/uploads\/2012\/04\/10.jpg');\"  href=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/10.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-353\" title=\"10\" src=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/10-182x300.jpg\" alt=\"\" width=\"182\" height=\"300\" srcset=\"https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/10-182x300.jpg 182w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/10-622x1024.jpg 622w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/10.jpg 1659w\" sizes=\"(max-width: 182px) 100vw, 182px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">10 &#8211; Joaquim dos Santos, (casa), 1933, l\u00e1pis s\/ papel, 22,5 x 17,4 cm, (inv. n\u00ba 216 verso)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">[ Desenho parcialmente composto por n\u00fameros, comparar com desenho de casa publicado por Prinzhorn, Fig. 10 pag. 49 ]<\/span><\/p>\n<p><\/p>\n<p style=\"text-align: justify;\"><a onclick=\"javascript:pageTracker._trackPageview('\/downloads\/wp-content\/uploads\/2012\/04\/11.jpg');\"  href=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/11.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-354\" title=\"11\" src=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/11-243x300.jpg\" alt=\"\" width=\"243\" height=\"300\" srcset=\"https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/11-243x300.jpg 243w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/11-832x1024.jpg 832w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/11.jpg 1465w\" sizes=\"(max-width: 243px) 100vw, 243px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">11 \u2013 Joaquina Soares, (auto-retrato), 1929, l\u00e1pis de cor s\/papel, 19,8 x 16,2 cm, (inv. n\u00ba 292)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">[ As pessoas dentro de v\u00e1rios locais do seu corpo, p\u00e1gina n\u00ba 5 de valios\u00edssimo conjunto de 20 pinturas de Joaquina Soares e de textos da pr\u00f3pria descrevendo as suas alucina\u00e7\u00f5es ]<\/span><\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">\u00a0<a onclick=\"javascript:pageTracker._trackPageview('\/downloads\/wp-content\/uploads\/2012\/04\/12.jpg');\"  href=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/12.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-356\" title=\"12\" src=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/12-241x300.jpg\" alt=\"\" width=\"241\" height=\"300\" srcset=\"https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/12-241x300.jpg 241w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/12-824x1024.jpg 824w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/12.jpg 1480w\" sizes=\"(max-width: 241px) 100vw, 241px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">12 \u2013 Joaquina Soares, (auto-retrato), 1929, l\u00e1pis de cor e tinta s\/papel, 19,8 x 16,2 cm, (inv. n\u00ba 295) , n\u00ba 8<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">[ Doen\u00e7as no seu corpo, p\u00e1gina n\u00ba 8 do conjunto referido na pintura anterior ]<\/span><\/p>\n<p><\/p>\n<p style=\"text-align: justify;\"><a onclick=\"javascript:pageTracker._trackPageview('\/downloads\/wp-content\/uploads\/2012\/04\/13-new.jpg');\"  href=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/13-new.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-357\" title=\"13-new\" src=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/13-new-300x273.jpg\" alt=\"\" width=\"300\" height=\"273\" srcset=\"https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/13-new-300x273.jpg 300w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/13-new.jpg 339w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">13 \u2013 \u00c1lvaro Pedroso, (rosto), 15\/11\/1932, l\u00e1pis de cor vermelha s\/ papel, 19,7 x 16 cm, (inv. n\u00ba 252)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">[ Rosto de extrema estiliza\u00e7\u00e3o e beleza ]<\/span><\/p>\n<p><\/p>\n<p style=\"text-align: justify;\"><a onclick=\"javascript:pageTracker._trackPageview('\/downloads\/wp-content\/uploads\/2012\/04\/14.jpg');\"  href=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/14.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-358\" title=\"14\" src=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/14-300x247.jpg\" alt=\"\" width=\"300\" height=\"247\" srcset=\"https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/14-300x247.jpg 300w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/14-1024x844.jpg 1024w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/14.jpg 1790w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">14 \u2013 Maria Am\u00e9lia Neves, (figura vista de cima), 1932-1933, l\u00e1pis s\/ papel, 16 x 20 cm, (inv. n\u00ba1793)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">[ Este desenho (de tra\u00e7o r\u00e1pido) \u00e9 extremamente invulgar em termos internacionais e em qualquer \u201cestilo\u201d, ou mesmo \u00fanico, ao representar ou sintetizar uma figura humana observada de cima ]<\/span><\/p>\n<p><\/p>\n<p style=\"text-align: justify;\"><a onclick=\"javascript:pageTracker._trackPageview('\/downloads\/wp-content\/uploads\/2012\/04\/15-new.jpg');\"  href=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/15-new.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-359\" title=\"15-new\" src=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/15-new-300x239.jpg\" alt=\"\" width=\"300\" height=\"239\" srcset=\"https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/15-new-300x239.jpg 300w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/15-new.jpg 499w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">15 \u2013 Ilda da Concei\u00e7\u00e3o, (abstracto), prov. 1934, carv\u00e3o s\/ papel, 15,8 x 19,5 cm, (inv. n\u00ba 262 frente)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">[ Composi\u00e7\u00e3o abstracta (ou aparentemente abstracta \u2026), antecedendo o expressionismo abstracto das d\u00e9cadas de 1940 e 1950. Tipo de desenho muito frequente em alguns doentes, como os oligofr\u00e9nicos e os autistas, semelhante aos certamente realizados desde h\u00e1 muitos s\u00e9culos (e destru\u00eddos). Desta doente conservaram-se 15, todos diferentes, e conservaram-se 6 de outra doente, de 1924 ]<\/span><\/p>\n<p><\/p>\n<p style=\"text-align: justify;\"><a onclick=\"javascript:pageTracker._trackPageview('\/downloads\/wp-content\/uploads\/2012\/04\/16.jpg');\"  href=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/16.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-343\" title=\"16\" src=\"http:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/16-300x244.jpg\" alt=\"\" width=\"300\" height=\"244\" srcset=\"https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/16-300x244.jpg 300w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/16-1024x832.jpg 1024w, https:\/\/aparteoutsider.org\/wp-content\/uploads\/2012\/04\/16.jpg 1795w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #ffffff;\">16 \u2013 Jo\u00e3o Sardinha, (burros e vasos com plantas), 1938-1942, l\u00e1pis s\/ papel, 16 x 20 cm, (inv. n\u00ba 386 frente)<\/span><\/p>\n<p><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #ffffff;\"><br \/>\n<strong>Sonhos<\/strong><br \/>\n<br \/>\nSonho suave e bom que me envolveste<br \/>\nN\u00e3o me deixes sozinho sobre a terra<br \/>\nSe vais, contigo esta minha alma encerra,<br \/>\nLeva-a contigo a Deus d`onde vieste.<br \/>\n<br \/>\nComo do c\u00e9u minha alma assim mereceste<br \/>\nQue por ti d`ele um sonho se descerra<br \/>\nA\u00ec com que frenesi que a ti se aferra,<br \/>\nSonho, a ti sonho, esta alma a que desceste<br \/>\n<br \/>\nSonhos que em vossas asas me tomais<br \/>\nEm meio do caudal em que derivo<br \/>\nE em vir a mim dos outros me estremais.<br \/>\n<br \/>\nSonho, \u00f3 \u00faltimo sonho de que vivo<br \/>\nAi n\u00e3o me deixes tu como os demais.<br \/>\nRet\u00e9m-no em meu seio \u2013 \u00f3 meu senhor! \u2013 cativo<br \/>\n<br \/>\n          \u00c2ngelo de Lima<br \/>\n<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Uma pequena sele\u00e7\u00e3o de desenhos antigos da Cole\u00e7\u00e3o de Arte de Doentes do Museu Miguel Bombarda, em Lisboa A small selection of old drawings from the Patient Art Collection of Miguel Bombarda Museum, in Lisbon, one of the oldest and best in Europe, including Outsider Art Ao tentarem denegrir a Colec\u00e7\u00e3o de Arte de Doentes [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"page-noside-nocomment.php","meta":{"ngg_post_thumbnail":0},"_links":{"self":[{"href":"https:\/\/aparteoutsider.org\/index.php?rest_route=\/wp\/v2\/pages\/37"}],"collection":[{"href":"https:\/\/aparteoutsider.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aparteoutsider.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aparteoutsider.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aparteoutsider.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=37"}],"version-history":[{"count":26,"href":"https:\/\/aparteoutsider.org\/index.php?rest_route=\/wp\/v2\/pages\/37\/revisions"}],"predecessor-version":[{"id":84,"href":"https:\/\/aparteoutsider.org\/index.php?rest_route=\/wp\/v2\/pages\/37\/revisions\/84"}],"wp:attachment":[{"href":"https:\/\/aparteoutsider.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=37"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}